Skip to main content

Making Room for Our Personal Posthuman Prisons: Black Mirror’s “Be Right Back”

  • Chapter
  • First Online:
Through the Black Mirror

Abstract

By drawing on surveillance theory, assessments of the market processes undergirding our liquid modern investments in technology, and explorations of our posthuman future, Schopp analyzes the Black Mirror (2011–) episode “Be Right Back” as a telling metaphor for the individual in her/his relationship to a “post-panoptic” capitalist culture. Schopp contends that the episode signals the dangers that we likely face in any posthuman future, depicting such a future as existing somewhere in-between the idealized, utopian version that futurists imagine and the dystopian renderings so often depicted in pop-culture. Schopp argues that the episode underscores how the future we incur will be the result of our quotidian undertakings and of our decision to make room in our lives for technology, and thus this episode reminds us that moving forward mindlessly with our social media and making more and more space in our lives for technology are actions that will likely frame, even determine, our posthuman selves. But since such actions might also inadvertently construct personal posthuman prisons, they are moves forward from which we might not readily come back.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 139.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Notes

  1. 1.

    In defining our culture as “post-panoptic” I am not suggesting that the panoptic no longer functions, but that just as “postmodern” can signify an evolution of modernism rather than its rejection, our culture reflects an evolution of panopticism that many scholars strive to delineate.

  2. 2.

    Thomas Mathieson introduced the term synopticon into surveillance studies, indicating a more flexible disciplinary space in which the media allows the many to watch the few, thus reversing Foucault’s panoptic disciplinary space in which the few watched the many (Bauman & Lyon, 2013, p. 68). But for Mathieson, synopticism does not replace panopticism for “panopticism and synopticism have developed in intimate interaction, even fusion, with each other” (Mathieson, 1997, p. 223).

  3. 3.

    G for genetic engineering, N for nanotechnology, and R for robotics.

References

  • Bauman, Z. (2007). Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity.

    Google Scholar 

  • Bauman, Z., & Lyon, D. (2013). Liquid Surveillance: A Conversation. Cambridge: Polity.

    Google Scholar 

  • Bridges, W., & Brooker, C. (Writers) & Haynes, T. (Director). (2017). USS Callister. [Television series episode] In L. Sutton (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Brooker, C. (Writer), & Harris, O. (Director). (2013). Be Right Back. [Television series episode] In B. Reisz (Producer). Black Mirror. London: Channel 4.

    Google Scholar 

  • Brooker, C. (Writer), & Harris, O. (Director). (2016). San Junipero. [Television series episode] In L. Borg (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Brooker, C. (Writer), & Hillcoat, J. (Director). (2017). Crocodile. [Television series episode] In S. Wohlenberg (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Brooker, C., & Huq, K. (Writers) & Lynn, E. (Director). (2011). Fifteen Million Merits. [Television series episode] In Reisz, B. (Producer). Black Mirror. London: Channel 4.

    Google Scholar 

  • Brooker, C. (Writer), & Slade, D. (Director). (2017). Metalhead. [Television series episode] In L. Sutton (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Brooker, C. (Writer), & Tibbetts, C. (Director). (2013). White Bear. [Television series episode] In B. Reisz (Producer). Black Mirror. London: Channel 4.

    Google Scholar 

  • Brooker, C. (Writer), & Tibbetts, C. (Director). (2014). White Christmas. [Television series episode] In B. Reisz (Producer). Black Mirror. London: Channel 4.

    Google Scholar 

  • Brooker, C. (Writer), & Trachtenberg, D. (Director). (2016). Playtest. [Television series episode] In L. Borg (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Deleuze, G. (1995). Postscript on Control Societies. In M. Joughin (Trans.). Negotiations (pp. 177–182). New York: Columbia University Press.

    Google Scholar 

  • Dinerstein, J. (2006). Technology and Its Discontents: On the Verge of the Posthuman. American Quarterly, 58(3), 569–595.

    Article  Google Scholar 

  • Foucault, M. (1979). Discipline and Punish: The Birth of the Prison. New York: Vintage Books.

    Google Scholar 

  • Gane, N. (2012). The Governmentalities of Neoliberalism: Panopticism, Post-panopticism and Beyond. Sociological Review, 60, 611–634.

    Article  Google Scholar 

  • Haggerty, K. (2006). Tear Down the Walls: On Demolishing the Panopticon. In D. Lyon (Ed.), Theorizing Surveillance: the Panopticon and Beyond (pp. 22–45). Cullompton, Devon: Willan Publishing.

    Google Scholar 

  • Jones, R., & Schur, M. (Writers) & Wright, J. (Director). (2016). Nosedive. [Television series episode]. In L. Borg (Producer). Black Mirror. Los Gatos: Netflix.

    Google Scholar 

  • Lyon, D. (2010). Liquid Surveillance: The Contribution of Zygmunt Bauman to Surveillance Studies. International Political Sociology, 4, 325–338.

    Article  Google Scholar 

  • Mathieson, T. (1997). The Viewer Society: Michel Foucault’s ‘Panopticon’ Revisited. Theoretical Criminology, 1(2), 215–234.

    Article  Google Scholar 

  • Ptolemy, R. B. (Director) & Nainoa F., & Ptolemy, R. B. (Producer) (2009). Transcendent Man. USA: Ptolemaic Productions.

    Google Scholar 

  • Sontag, S. (2003). Regarding the Pain of Others. New York: Picador.

    Book  Google Scholar 

  • Wilkie, R. (2011). The Digital Condition: Class and Culture in the Information Network. New York: Fordham University Press.

    Book  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Andrew Schopp .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Schopp, A. (2019). Making Room for Our Personal Posthuman Prisons: Black Mirror’s “Be Right Back”. In: McSweeney, T., Joy, S. (eds) Through the Black Mirror. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-19458-1_5

Download citation

Publish with us

Policies and ethics